저자의 연구 키워드

저자의 연구 키워드

#1960s

#경험experience

#과잉 excess

#과잉된 시간 excessive time

#기술technology

#기억 memory

#기억memory

#내러티브 시간 narrative time

#디지털 영화

#말하기 telling

#망각forgetting

#모더니즘영화

#몬스트레이션 monstration

#무규정적 공간 any space whatever

#민족화

#보여주기 showing

#보철기억prosthetic memory

#상하이 애니메이션스튜디오

#상하이 영화스튜디오

#서사 narration

#성차 sexual difference

#순간

#언캐니 uncanny

#역사history

#우울 melancholy

#움직임

#정지

#중국애니메이션

#타블로

#터웨이(特偉)

#향수 nostalgia

#히스테리 hysteria

#Aestheticization of Politics

#animation

#Aureurism

#Auteur

#Chinese Animation

#Chosun cinema

#Chosun Film Making Company

#Chosunhaehyeop

#Cinephile

#Cinephilia

#Colonial modernity

#Computer Graphic

#depth

#Digital Camera Movement

#Digital cinema

#digital technology

#Digital Zoom

#Distinction

#Distintion

#Film Critique

#genre film

#Haptic

#image

#IMAX

#Instant

#Japanese Colonial Period

#Korean cinema

#Korean film

#Korean film critic

#Korean Film History

#Korean new wave cinema

#Landscape

#Melodrama

#Melodramatic imagination Irony

#modern cinema

#Modernism cinema

#modernization

#Movement

#National cinema

#nationality

#Nationalization

#Paik Ki Chae

#perception

#Perceptual Realism

#Photogénie

#Picnolepsy

#Pro-japanese state film

#Propaganda Film

#Shanghai Animation Studio

#Shanghai Flim Studio

#Skyscraper

#space

#Spectacle

#Still

#Tableau

#Technology

#Tewei

#Visual Experience